''It is our dead on our faces.
''is the first time I faced Bolstanski Christian, was an article in the World (yes, I can read), about his retrospective at the Maison Rouge in 2008. Then I learned he had sold his life in a lifetime''autistic collector very good at math who managed to amass a fortune in the casino''(yes, it exists, it Christian, who has said).
Selling your life, or at least sell her image. 4 cameras filming constantly, until the end of his life. The advantage of this? A deal with autistic mathematicians. Because he calculated that Boltanski will not live very long, so in the end, the rent he pays is not much (he calculated, he still has 8 years experience), but if still alive Boltanski more than 10 years, the stripping is poor mathematicians, because it is going to be expensive rents in the film watching the flies. Darkly CB has a taste for risk (because its''owner''has never lost a bet of his life ...).
Here Boltanski is honored Grand Palace, as part of the Monumenta. Monumenta is a great initiative. I was in the first edition, the 2007. Anselm Keifer to put his work on memory and his vision of history on stage.
This year is the turn of Christian Boltanski, Grand Palais, but the Mac / Val (Vitry-sur-Seine, sisi) from 15 January. Of course, true to Boltanski, it deals with death, its inevitability, but of fate, not without it overlap with the Holocaust, which remains a fundamental point of his personal history.
What is rather unique in People Is that really fit in the work. Step into the Grand Palace, and now we're caught physically: The cold. There is no heating. And quail in the Great Hall, much more than apart. The other thing is the soundtrack. One enters an atmosphere. Heart beat, which intertwine, overlap, move away, deafening us to the final. We're in the mood. Front of the boxes stacked. Under normal circumstances I would have said'' oh, a pyramid of boxes of cakes''(yes, ok, I'm a glutton) , but now we can only think of funeral urns. But Most impressive is yet to come.
A lot of clothing from 20 meters high and 15 feet wide, surmounted by a giant claw (yes, so normally, I think yay, funfair, clothes ...)
But
not, one feels immediately the scope of the work. Clamp as the hand of God, who takes clothes, allegory of human souls, and releases them so completely random, elsewhere. It is right in theory Boltanskienne, according to which God is indifferent.
A little later, squares clothing, arranged symmetrically. As a cemetery, but anonymous. «Remake, I thought of a flea market, something like that, but we immediately think of death. Blame the cold, the mood music and company. «Remake, it falls into the fundamentals of Cricket, for him, it really leaves no trace, even if that is what we care about most. And yes, lack of memory.
Nothing very happy after all, but it's still pretty awesome, to be taken that way in the work, and understand it in a quasi-spontaneous. And the end, one is invited to contribute ourselves to the work of Boltanski, participating in its'' Library of hearts,''he plans to install an island on Japan. His dream is to reference all the beating hearts of humans, like, last? overcome this failure of memory.
Leaving So, you feel important. Because we spun our throbbing beats, we understand, we lived, and we felt the scope of work of an artist. Afterwards, well, shortcuts etc. Holocaust. are fairly easy, but we can try to understand the work differently, as a more general reflection on memory.
And then we can say what they wants, but the garment as an allegory of the human soul, it's still cool, and then an exhibition, which is the FULL PRICE modest sum of 4 €, sorry, but we do not say especially.
''is the first time I faced Bolstanski Christian, was an article in the World (yes, I can read), about his retrospective at the Maison Rouge in 2008. Then I learned he had sold his life in a lifetime''autistic collector very good at math who managed to amass a fortune in the casino''(yes, it exists, it Christian, who has said).
Selling your life, or at least sell her image. 4 cameras filming constantly, until the end of his life. The advantage of this? A deal with autistic mathematicians. Because he calculated that Boltanski will not live very long, so in the end, the rent he pays is not much (he calculated, he still has 8 years experience), but if still alive Boltanski more than 10 years, the stripping is poor mathematicians, because it is going to be expensive rents in the film watching the flies. Darkly CB has a taste for risk (because its''owner''has never lost a bet of his life ...).
Here Boltanski is honored Grand Palace, as part of the Monumenta. Monumenta is a great initiative. I was in the first edition, the 2007. Anselm Keifer to put his work on memory and his vision of history on stage.
This year is the turn of Christian Boltanski, Grand Palais, but the Mac / Val (Vitry-sur-Seine, sisi) from 15 January. Of course, true to Boltanski, it deals with death, its inevitability, but of fate, not without it overlap with the Holocaust, which remains a fundamental point of his personal history.
What is rather unique in People Is that really fit in the work. Step into the Grand Palace, and now we're caught physically: The cold. There is no heating. And quail in the Great Hall, much more than apart. The other thing is the soundtrack. One enters an atmosphere. Heart beat, which intertwine, overlap, move away, deafening us to the final. We're in the mood. Front of the boxes stacked. Under normal circumstances I would have said'' oh, a pyramid of boxes of cakes''(yes, ok, I'm a glutton) , but now we can only think of funeral urns. But Most impressive is yet to come.
A lot of clothing from 20 meters high and 15 feet wide, surmounted by a giant claw (yes, so normally, I think yay, funfair, clothes ...)
But
not, one feels immediately the scope of the work. Clamp as the hand of God, who takes clothes, allegory of human souls, and releases them so completely random, elsewhere. It is right in theory Boltanskienne, according to which God is indifferent.
A little later, squares clothing, arranged symmetrically. As a cemetery, but anonymous. «Remake, I thought of a flea market, something like that, but we immediately think of death. Blame the cold, the mood music and company. «Remake, it falls into the fundamentals of Cricket, for him, it really leaves no trace, even if that is what we care about most. And yes, lack of memory.
Nothing very happy after all, but it's still pretty awesome, to be taken that way in the work, and understand it in a quasi-spontaneous. And the end, one is invited to contribute ourselves to the work of Boltanski, participating in its'' Library of hearts,''he plans to install an island on Japan. His dream is to reference all the beating hearts of humans, like, last? overcome this failure of memory.
Leaving So, you feel important. Because we spun our throbbing beats, we understand, we lived, and we felt the scope of work of an artist. Afterwards, well, shortcuts etc. Holocaust. are fairly easy, but we can try to understand the work differently, as a more general reflection on memory.
And then we can say what they wants, but the garment as an allegory of the human soul, it's still cool, and then an exhibition, which is the FULL PRICE modest sum of 4 €, sorry, but we do not say especially.
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